The first one is from The Chronicle from a few weeks back arguing that we can’t (and oughtn’t try to) teach the love of reading (though you should know that that is a pretty narrow and borderline misleading summary of the article–there’s much more than that here) :
Rarely have young people been expected to have truly deep knowledge of particular texts. Instead, education, especially in its “liberal arts” embodiments, has been devoted to providing students with navigational tools—with enough knowledge to find their way through situations that they might confront later in life. (Even the old English public schools flogged their students through years of Latin and Greek not because Latin and Greek were intrinsically valuable, still less useful, but because the discipline of such study would have a salutary effect on young men’s characters. And these are the terms in which survivors of that system typically praise it.) This is one of the ways in which the artes liberales are supposed to be “liberal,” that is, “liberating”: They free you to make your own way through the challenges of life without requiring external props.
All this is to say that the idea that many teachers hold today, that one of the purposes of education is to teach students to love reading—or at least to appreciate and enjoy whole books—is largely alien to the history of education. And perhaps alien to the history of reading as well.
The other is from the NY Times Book Review on a new book by Binyavanga Wainaina, and it includes a link to his killer essay, “How to Write about Africa“:
Harried reader, I’ll save you precious time: skip this review and head directly to the bookstore for Binyavanga Wainaina’s stand-up-and-cheer coming-of-age memoir, “One Day I Will Write About This Place.” Although written by an East African and set in East and Southern Africa, Wainaina’s book is not just for Afrophiles or lovers of postcolonial literature. This is a book for anyone who still finds the nourishment of a well-written tale preferable to the empty-calorie jolt of a celebrity confessional or Swedish mystery.
Not that Wainaina is likely to judge anyone’s taste in books. In fact, at its heart, this is a story about how Wainaina was almost eaten alive by his addiction to reading anything available. “I am starting to read storybooks,” he says of his 11-year-old self, growing up in Nakuru, Kenya. “If words, in English, arranged on the page have the power to control my body in this world, this sound and language can close its folds, like a fan, and I will slide into its world, where things are arranged differently.”