Thinking About Maxine Greene, and There She Is

So, the other day, I was poking around in my Nikki Giovanni book looking for the poem in the post below, and I found another one she wrote about an old English teacher of hers who introduced her to this great work, which led her to that one, which led her to poetry, and so on. It’s great stuff. Anyway, while reading that, I started to think about Masxine Greene, who is the person I always think about when the topics of literature, diversity, and curriculum come up. The first time I ever read anything by her, it was over my then girlfriend’s (now bride’s) shoulder, and I was dazzled. It was an excerpt from her book, Teacher As Stranger, I believe, and I was hooked. And then, how weird is this, on the same day, the same, very day, I get an email from this society I’m in about a new issue of a journal blah, blah, blah, dedicated to Maxine Greene.

Like it was fate or something.

Alright, I know, I know…it’s a Philosophy Journal, which is not everyone’s cup of tea, but it’s called Journal of Educational Controversy, and everybody loves to read about controversy, and, like I said, this month’s issue is dedicated to Maxine Greene, who was unbelievably awesome, and it has great stuff like this in it. (Plus there’s a link to the previous issue which was called, “Schooling as if Democracy Matters” and has an all star philosophy of education lineup, including three of my favorite reads: Bill Ayers, Sharon Todd, and Claudia Ruitenburg)

And it’s free. And it led me to finding Maxine Greene’s Foundation Web site with its sweet library full of stuff that I haven’t read yet (but can’t wait to get into)…

And if you’ve never heard of Maxine Greene, do yourself a favor and check her out.

One thought on “Thinking About Maxine Greene, and There She Is

  1. Maxine Greene: WOW! what a great educational philosopher!
    A good book recommendation:

    Variations on a Blue Guitar: The Lincoln Center Institute Lectures on Aesthetic Education

    In keeping with this week’s musical ‘instrument’ selection.

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